With the state of the music industry, like many today, otherwise I would probably say most independent musicians attack the process of recording the results on their own. I have said that a commitment to the services and know-how of a professional engineer and record producer best, what can artists and groups, if they put all the material together and are ready to go into the studio and record their album. However, I also discovered thatThis can be an expensive process, and many artists simply do not have the budget for these.

Over the years I have worked with many artists, work record, and sound engineers in the studio during the recording process of music. If the perimeters of the budget stop him from letting a well-known music producer and professional engineer , and you're actually there yourself, probably in your home-grown recording studio, here are some suggestions very importantand a guide to the process of recording the CD "do it yourself:

Preparation

* E 'is probably a good idea to make a collar-up live demo of the materials is expected to be entered. This will help you examine the best and worst of the song.

* Try to fund all the songs - even more than you think about the inclusion - working on the scheme can go with the songs and the parties are stronger. Make sure that everyone knows all their parts like the back of his hand.You should be able to play all the songs in his sleep.

* A CLICK TRACK USE - The river and the rhythm is very important. The drums carry the rhythm - so make sure that everything is perfectly in sync.

At the beginning of the recording process

* Some global harmony all posts

* Go through this process, as if I was on stage a thousand delirious fans - a record for the thrill. Concern about the technical aspect of it. This can always be adjusted.

*Punch in, if possible, to repeat, to prevent parties. It 'too easy to burn.

* Set the focus and the essence of what music is. If you are primarily a vocal group, attaches great importance to the strongest part of your production.

* The first record pace in the dub the other parts. Do not worry about the consequences - you can add more later.

* No longer do. It widths your sessions. The old theory of staying in the studio for 12 to 14 hours a dayAnother good way to burn out, around and not effective.

Review Session

* Make rough demo of each session request. Rate peacefully in their own time and space at different levels and equipment - such as your car or iPod. It 'important that are not strong in terms of study leave critique your product.

* When it's time to mix - to bring in a number of different types of ears. Other musicians and friends can gather a great view. You can too close tocan see the music and the inclusion of any defects that others choose.

The final process - mixing and mastering

* As before, it is always a good idea to get alternative opinions have stated. Bring in other musicians. Even though - too many opinions can be difficult to treat. Simply put, all opinions in force - then let it go and move forward just ahead.

* Look at the production as a finished part or in whole. Not focus too much on some instruments.Everything must be mixed to ensure the equal right to the overall sound.

* No matter where mix - please use the speaker as before in the studio. If not, then be easily confused, as it all seems very different.

* Mastering: To optimize the acoustic superiority, I suggest you engage the services of a professional mastering engineer in this process. Ears again and know-how of a great mastering engineer can the success or failure of its product.

There you have it --Only some basic tips for taking a great CD. I'm going into more technical detail in future articles. Good luck.

© 2009 Ken Cavalier All rights reserved

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